NH: Loki is a charming rogue, he does these extremely terrible things, but somehow you are still captivated and even rooting for him. NH: I read the script before the meeting with Kate Herron, and because I already had such a strong mental picture from the script and Tom Hiddleston’s performances in other Marvel properties, I felt like I already had a strong sense of what his theme should be and how the music should go, luckily my ideas and sounds resonated with Kate’s ideas too!ĪD: What aspects of Loki resonated with you the most, and how does the score reflect that? What was it about this project that allowed you to write so freely? To come away from a project feeling creatively satisfied and then to have my work recognized- it really just feels like the cherry on the cake.ĪD: You had the theme for Loki written going into your first meeting with Kate Herron.
It felt like a dream team in terms of how everyone meshed together and communicated. It felt like every department just put everything they had into it. NH: Honestly, I just feel I got so lucky with Loki. to record, so a total contrast to Loki and it was so fantastic to be in person and be with the musicians again.ĪD: And how does it feel to have your score resonate the way that it did with fans and critics? It was consistently mentioned as a high point of the series, culminating in your Emmy nominations. I think I had to try not to think about the high stakes and pressure too much, or it would feel a bit stifling! Obi-Wan was written with John Williams, and I had to come to L.A. Natalie Holt: Well, Loki was written, recorded, and mixed during lockdown, so that just felt like I was in my own bubble just having a dialogue with Kate Herron. How are you navigating the high stakes and pressure that comes with beloved properties? Here, Holt joins Awards Daily to answer some burning questions about her Emmy-nominated work in Loki.Īwards Daily: Natalie, you’ve composed music for several massive franchises with big fanbases in a male-dominated field. And a wildly inventive, surprising score from composer Natalie Holt, cementing her place as one of the most interesting music masters in the business. Or face being wiped from existence.įast-paced, stylish, and featuring a deliciously fun performance from Tom Hiddleston.
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Picking up after the events of Avengers: Endgame, the Disney+ series Loki follows the god of mischief in an alternate timeline where he is brought in by the Time Variance Authority (TVA) to help fix the timeline. Download: ‘Loki' Composer Natalie Holt on Creating Unique Music for Marvel's Trickster God
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